Let's Go Down To The Roots

Any final artwork is amazing. But what I love even more is to see the behind the scenes, the work process that goes in order to achieve either an animation or static design. I thought it would be nice to share some of the steps I do in my day-to-day work process.

Carrots_v2

A storyboard shows the building blocks of an animation or video production. Very often I work together with advertising agencies and animation studios to help them visualize their scripts and give an idea of how the voiceover will match up with the visuals. Usually, I provide my storyboards as a PDF document where all the key scenes are mapped out with their sound and action descriptions. This gives the client an overview of the final piece but also ensures the client is happy with the path we’re about to take together and avoids delays later down the line.

Arla_Storyboard_01
Arla_Storyboard_02
Arla_Storyboard_03
Arla_Storyboard_04
Arla_Storyboard_05
Arla_Storyboard_06
Arla_Storyboard_07
Arla_Storyboard_08
Arla_Storyboard_09

Storyboard for a TV ad concept for the brand Arla Foods - Fantasy Style

Parodontax_Storyboard_01
Parodontax_Storyboard_02
Parodontax_Storyboard_03
Parodontax_Storyboard_04
Parodontax_Storyboard_05
Parodontax_Storyboard_06
Parodontax_Storyboard_07
Parodontax_Storyboard_08
Parodontax_Storyboard_09

Storyboard for a TV ad concept for the brand Parodontax - Commercial Style

Black and white sketches don't need to be reserved just for storyboards or part of an illustration piece process. I also like to help my clients visualize another type of ideas they may have for example photoshoot locations, trade show stands, displays, banners, or anything else that would help make their pitch deck even better.

Concepts for sisterMAG Studio of the inside and outside of a London and Berlin double-decker bus with Douglas promotional decoration.
 

When I'm in charge of the art direction of an animation project, I tend to provide two style options based on a frame shot from the storyboard. The style frame chosen by the client will determine the look and feel of the entire animation: character design, hand-drawn or vector style and colour palette.

WPP_Sketch
WPP_Styleframe
Westin_Sketch
Westin_Styleframe

The majority of my work lives within pastel colours and its infinitive variations of tints, shades, and tones. Though, to help me show my clients how I intend to approach the right atmosphere of an illustration piece or how to use a specific colour palette, I always try to include a colour script in my process. This is a quick, wonky version of the drawing and much like a storyboard gives the client an overview of the final piece but also ensures the client is happy with the colour composition avoiding delays later down the line.

Slide across to see the colourscript and its final illustration piece.

Work_Process_Mockup

Need illustrations for your beautiful website?

Perhaps help to storyboard your social media campaign? Or maybe you have an awesome idea for your animation and need someone to lay down the art direction but also can design and illustrate all the necessary assets for the animators.

NEWSLETTER

Sign up to get the latest news and updates.

About_Me_v4

About Me

I’m an Illustrator, Digital Designer and Art Director. I help brands communicate their ideas on advertising and animation media.

Work_Process_v6

Work Process

Want to see the behind the scenes of my workExplore more storyboards, sketches, style frames and colour scripts.

Project_Enquiries_v1

Project Enquiries

Do you have a project you’d like to talk about? Drop me a line if you want me to work on a design or illustration brief.

© Copyright Philipa Rabbit 2023

Back to top Arrow